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Eros International Plc Reports Third Quarter Fiscal Year 2016 Results
ErosNow registered users have crossed 37 million as of
Expect to reach 1 million paying ErosNow subscribers by end of Fiscal Year 2017
Nine Months Ended
- Revenues increased by 7.0% to
$209.3 million , compared to$195.7 million in the prior year period. - Currency comparable revenues increased by 11.7%.
- Adjusted EBITDA decreased by 20.6% to
$56.5 million , compared to$71.2 million in the prior year period.(1) - Net income decreased by 59.0% to
$12.3 million , compared to$30.0 million in the prior year period.
Three Months Ended
- Revenues decreased by 39.8% to
$60.5 million , compared to$100.4 million in the prior year period. - Currency comparable revenues decreased by 37.6%.
- Adjusted EBITDA decreased by 81.9% to
$8.9 million , compared to$49.2 million in the prior year period.(1)
- Net income decreased by 108.9% to
$2.5 million net loss, compared to net income of$28.2 million in the prior year period.
(1) A reconciliation of the non-GAAP financial measures discussed within this release to our IFRS net income is included at the end of this release. See also “Non-GAAP Financial Measures”.
Factors affecting results:
- New release film mix by budget
9 months ended | High | Medium | Low | Total | |||||||
Dec 31, 2015 | 6 | 10 | 35 | 51 | |||||||
Dec 31, 2014 | 5 | 7 | 31 | 43 |
3 months ended | High | Medium | Low | Total | |||||||
Dec 31, 2015 | 1 | 4 | 10 | 15 | |||||||
Dec 31, 2014 | 3 | 1 | 9 | 13 |
- Catalog revenues - Apart from the new release slate, a significant part of the Company’s revenues (approximately 25%-30% of total revenues) are contributed by monetization of its film library. These revenues are generally very high margin and tend to be weighted to the second half of a fiscal year as previously reported. Since catalog sales have longer payment cycles, any incremental sales this quarter would have added to the existing receivables balance. Therefore, the Company has decided to forego a proportion of its potential catalog sales (estimated at around
$20 million per quarter) for the next 1-2 quarters, so it can remain on target to bring down receivables to approximately$160 million by the end of Fiscal Year 2016, as previously indicated. - Film mix - The Company posted a blockbuster year and can again claim the leading market share in
India for Calendar Year 2015, with three out of the top four box office hits and seven out of top 15 box office hits being Eros films. The three months results are not strictly comparable as only one high budget film was released in the quarter endedDecember 31, 2015 compared to three high budget films in the comparable period of 2014, as well as the relatively lower catalog revenue.
Update on Internal Review:
“In
Meanwhile, I would like to assure our shareholders that the Audit Committee has reviewed the accounting procedures and principles followed by the Company and has been fully satisfied that the Company has recorded its financial statements and related disclosures appropriately without any material misstatements.
On behalf of the Audit Committee and the Board of Directors of the Company I sincerely thank all the shareholders of the Company, old and new, and other stakeholders and business associates for standing by the Company.”
Management Comments:
Operational Highlights
1. Strong Film Slate Performance
- The Company’s strong portfolio of films drove theatrical, television and digital/ancillary revenues worldwide with Bajrangi Bhaijaan, Bajirao Mastani and Tanu Weds Manu Returns taking No. 1, No. 3 and No. 4 positions on the box office charts with other blockbusters such as Welcome Back, Singh is Bling, Gabbar is back and Dil Dhadakne Do, giving Eros a total of seven out of the Top 15 box office films in Calendar Year 2015. In addition to this, Srimanthadu was the second highest Telugu grosser of all time.
- Bajirao Mastani, released in the quarter ended
December 31 , 2015,was 2015’s third highest grossing Hindi film inIndia and crossed over$77.2 million worldwide, smashing multiple records and winning 22 award titles at prestigious award platforms such as Filmfare,Sony Guild, Stardust and Screen Awards 2015. Bajirao Mastani is also scheduled for the widest ever Indian film release in China in Q1 of Fiscal Year 2017. - To accompany the launch of Bajirao Mastani, ErosNow, the Company’s digital OTT platform, premiered India’s first ever graphic web series ‘Blazing Bajirao’. Following the success of the web series, ErosNow has also launched ‘Blazing Bajirao - The Game’ that is available now for download on
Apple and Google Play. - Bajirao Mastani won 22 awards, Bajrangi Bhaijaan won a total of 13 awards, Tanu Weds Manu Returns won 4 awards, Hero won 4 awards and Badlapur won 3 awards. Eros films swept over 46 awards between them including Best Film, Best Director, Best Story, Best Actor, Best Supporting Actor to name a few. Eros won the award for Studio of the Year at the Zee ETC Bollywood Business Awards 2015.
2. Trinity Pictures and
- Over the last 12 months, Trinity has developed over 10 stories in-house in the Company’s Writer’s Room and greenlit after audience testing. Of these, at least four will be in production in Fiscal Year 2017. Each one of these is a franchise film, in genres that we expect to be very fresh for the Indian market and will be exploited across films, gaming and digital. The films will be family entertainers, including a live action animal film, a Kids film, a Spy thriller film and a buddy cop film.
- In a first for an Indian studio, two of these films are set in
India and China, will be co-produced along with a Chinese studio and will be shot in both languages. Two other films are going to be shot simultaneously in multiple Indian languages.
3. ErosNow – the largest online Bollywood entertainment service
Registered Users
- Eros Now had 30 million registered users worldwide as of
September 30, 2015 and continues to demonstrate strong growth, garnering over 37 million registered users across WAP, APP and Web as ofDecember 31, 2015 . While ErosNow continues to expand its registered user base with its platform agnostic distribution strategy targeting the 1 billion plus mobile subscriber base ofIndia , we are now turning our focus to monetization. - The Company’s new two-tier premium pricing in
India ofRs 50 ($0.77) andRs 100 ($1.54) per month, which launched in December, 2015, is gaining traction. The Company continues to progress in converting its registered users to paying subscribers, currently at under 1% of its user base, and expects to reach 1 million paying subscribers by the end of Fiscal Year 2017.
Platform distribution
- In
January 2016 , the Company announced a deal with LeEco (known as LeTV in China), where ErosNow would be integrated on LeEco phones for the Indian market with a one year ErosNow subscription worth approximately$10 and$20 pre-bundled on standard and premium handsets, respectively. LeEco smart phones, being exclusively sold through e-commerce portal Flipkart, have already received pre-registration of over 800,000 within 30 days of launch. The deal will also encompass the launch of Le Smart TVs in the first half of Fiscal Year 2017. The Company will seek to replicate this deal with other leading OEMs (Original Equipment Manufacturers). - The Company’s Telecom integration strategies with ErosNow powered by Airtel (which has the largest market share of internet subscribers in
India ) andIdea Cellular (which has the third largest market share of internet subscribers inIndia ) are gaining momentum. The Company continue its discussions with other telecom operators and expects to conclude and announce additional deals in the near future. These models are focused on monetization and ARPU growth and the Company expects these platforms to contribute a meaningful proportion of the Company’s overall paid subscribers. Last week the Company completed the integration of the ErosNow app on to the Google Nexus Player and other 2015 Android TV platforms likeSony , Sharp andPhillips to make the ErosNow experience seamless on televisions.
Product
- The Company continues to implement and introduce new and exciting product features to ErosNow. This quarter the Company launched its “Portability” feature which allows users to access their accounts and watch content across up to eight different devices. The Company also launched its “video progression” feature, where the platform is able to remember the point at which a user has paused or stopped viewing their content piece, and allows them to resume viewing from this point when they return, even on a different device. The Company’s content is available on High Definition quality video with subtitles.
- The Company’s much anticipated offline product offering, currently undergoing testing, is expected to be available this March, which the Company believes to be a significant competitive advantage. Viewers will no longer have to be connected to the internet to view content and will be able to download it to their devices and watch it even when they are offline.
Content
- ErosNow has rights to over 4,750 films across Hindi and regional languages from Eros’s internal library as well as third party aggregated content which we believe makes it one of the largest Indian movie offering platforms around the world. In addition, ErosNow showcases music from 13 Indian music labels and offers over 200,000 music tracks.
- At the heart of the ErosNow consumer proposition are its movie premieres, some straight from the theatres within weeks and some which are big digital premieres. Some of the recent digital premieres include Bajrangi Bhaijaan (No. 1), Prem Ratan Dhan Payo (No. 2), Tanu Weds Manu Returns (No. 4), which are 3 of the top 4 films of CY 15 with No. 3 being Bajirao Mastani, soon to follow on ErosNow. The Company’s ErosNow film calendar offers at least 2 new digital premieres every month.
- Cool, contemporary and edgy “Originals” that target the youth of
India is an important part of the Company’s content strategy. In addition to the previously announced original shows, the Company has the following shows in production:- Flip –
April 2016 - Lost –
July 2016 - Smoke –
September 2016 - Legacy –
November 2016
- Flip –
4. Selective upcoming slate excluding Trinity or
Film Name | Language | Star Cast/(Director/Producer) | Tentative Release | |||
Dictator | Telugu | Balakrishna (Srivaas) | Released in Q4 FY16 | |||
Rajini Murugan | Tamil | Sivakarthikeyan (Ponram) | Released in Q4 FY16 | |||
Sardaar Gabbar Singh | Telugu | Pawan Kalyan (K.S. Ravindra) | Moved from Q4 2016 to Q1 FY 17 | |||
24 | Tamil | Suriya, Samantha (Vikram Kumar) | Moved from Q4 2016 to Q1 FY 17 | |||
Ki &Ka | Hindi | Arjun Kapoor, Kareena Kapoor (R. Balki) | Moved from Q4 2016 to Q1 FY 17 | |||
Housefull 3 | Hindi | Akshay Kumar, Abhishek Bachchan (Sajid Farhad / Sajid Nadiadwala) | Q1 FY 17 | |||
Dhishoom | Hindi | Varun Dhawan, John Abraham (Rohit Dhawan) | Q2 FY 17 | |||
Baar Baar Dekho | Hindi | Siddharth Malhotra & Katrina Kaif / (Excel / Dharma) | Q2 FY17 | |||
Chaar Sahibzaade 2 | Punjabi | 3D Animation (Harry Baweja) | Q2 FY17 | |||
Manmarziyan | Hindi | Ayushmann Khuranna & Bhumi Pednekar / (Colour Yellow) | Q3 FY17 | |||
Shivaay | Hindi | Ajay Devgn / (Ajay Devgn) | Q3 FY17 | |||
Rock On 2 | Hindi | Farhan Akhtar, Arjun Rampal / (Excel) | Q3 FY17 | |||
Guru Tegh Bahadur | Punjabi | 3D Animation / (Harry Baweja) | Q3 FY17 | |||
Singam 3 | Tamil | Suriya, Anushka Shetty and Shruti Haasan / (Studio Green) | Q4 FY17 | |||
Chef | Hindi | Saif Ali Khan / (Alumbra Entertainment) | Q4 FY17 | |||
Phir Hera Pheri 3 | Hindi | John Abraham, Abhishek Bachchan, / (Firoz Nadiadwallah / Neeraj Vora) | Q4 FY17 |
The list of films set forth in the table above is only a selection and not a complete list of all the films in the Company’s forthcoming slate, and release dates are subject to change.
Financial Highlights:
Three Months Ended December 31, | Nine Months Ended December 31, | |||||||||||||||
(dollars in thousands) | ||||||||||||||||
2015 | 2014 | % change | 2015 | 2014 | % change | |||||||||||
Revenue | $ | 60,452 | $ | 100,405 | -39.8 % | $ | 209,286 | $ | 195,682 | 7.0% | ||||||
Gross Profit | 17,541 | 55,341 | -68.3% | 79,844 | 87,889 | -9.2% | ||||||||||
Operating profit | 478 | 43,345 | -98.9% | 30,760 | 53,992 | -43.0% | ||||||||||
Adjusted EBITDA(1) | 8,889 | 49,228 | -81.9% | 56,477 | 71,185 | -20.7% | ||||||||||
(1) A reconciliation of the non-GAAP financial measures discussed within this release to our IFRS net income is included at the end of this release. See also “Non-GAAP Financial Measures”. |
Currency comparable revenue for the three and nine months ended
Financial Results for three months and nine months ended
Revenue
Revenue was
Eros released 51 new films in the nine months ended
Three months ended | |||||||
June 30, 2015 | September 30, | December 31, | |||||
High budget film releases | 2 | 3 | 1 | ||||
Medium budget film releases | 3 | 3 | 4 | ||||
Low budget film releases | 11 | 14 | 10 | ||||
Total new film releases | 16 | 20 | 15 | ||||
Three months ended | |||||||
June 30, 2014 | September 30, | December 31, | |||||
High budget film releases | 1 | 1 | 3 | ||||
Medium budget film releases | 3 | 3 | 1 | ||||
Low budget film releases | 5 | 17 | 9 | ||||
Total new film releases | 9 | 21 | 13 |
The Company’s primary revenue streams are derived from three channels: theatrical, television syndication and digital and ancillary. For the three months ended
For the nine months ended
Revenue from
Revenue from
Revenue from
Revenue from the rest of the world decreased 70.3% to
Cost of sales
Cost of sales decreased by 4.9% to
Cost of sales increased by 20.1% to
Gross profit
Gross profit was
Gross profit was
Income Taxes
The provisions for income taxes were
Adjusted EBITDA
Adjusted EBITDA decreased by 81.9% to
Content
Intangibles comprise film and content rights of
Conference Call
Eros will host a conference call today at
A replay of the call can be accessed through February 22, 2016 by dialing (347)-366-9565 from the U.S., or +44 (0) 20 3427 0598 from outside the U.S. The conference call I.D. number is 4106917. The call will be available as a live webcast, which can be accessed at Eros’ Investor Relations website. A replay of the webcast recording will be available until February 17, 2017.
Non-GAAP Financial Measures
Net Income
The Company uses the term Net Income, as the International Financial Reporting Standards (“IFRS”) define the term as synonymous with profit for the period.
Adjusted EBITDA
In addition to the results prepared in accordance with IFRS provided in this release, the Company has presented Adjusted EBITDA. The Company uses “Adjusted Earnings before Interest, Tax, Depreciation and Amortization” (“Adjusted EBITDA”) along with other IFRS measures, to evaluate operating performance. Adjusted EBITDA is defined by the Company as net income before interest expense, income tax expense and depreciation and amortization (excluding amortization of capitalized film content and debt issuance costs), adjusted for impairments of available-for-sale financial assets, profit/loss on held for trading liabilities (including profit/loss on derivatives), share based payments and transaction costs relating to equity transactions.
Adjusted EBITDA, as used and defined by us, may not be comparable to similarly-titled measures employed by other companies and is not a measure of performance calculated in accordance with GAAP. Adjusted EBITDA should not be considered in isolation or as a substitute for operating income, net income, cash flows from operating investing and financing activities, or other income or cash flow statement data prepared in accordance with GAAP. Adjusted EBITDA provides no information regarding a company’s capital structure, borrowings, interest costs, capital expenditures and working capital movement or tax position. However, our management team believes that Adjusted EBITDA is useful to an investor in evaluating our results of operations because this measure:
• is widely used by investors to measure a company’s operating performance without regard to items excluded from the calculation of such term, which can vary substantially from company to company depending upon accounting methods and book value of assets, capital structure and the method by which assets were acquired, among other factors;
• helps investors to evaluate and compare the results of our operations from period to period by removing the effect of our capital structure from our operating structure; and
• is used by our management team for various other purposes in presentations to our board of directors as a basis for strategic planning and forecasting.
See the supplemental financial schedules for a reconciliation of non-GAAP financial measures to IFRS measures.
Cautionary Statement Concerning Forward-Looking Statements
Some of the information presented in this press release and in related comments by Eros' management contains forward-looking statements. In some cases, these forward-looking statements are identified by terms and phrases such as “aim,” “anticipate,” “believe,” “feel,” “contemplate,” “intend,” “estimate,” “expect,” “continue,” “should,” “could,” “may,” “plan,” “project,” “predict,” “will,” “future,” “goal,” “objective,” and similar expressions and include references to assumptions and relate to Eros’ future prospects, developments and business strategies. Similarly, statements that describe Eros’ strategies, objectives, plans or goals are forward-looking statements and are based on information available to Eros as of the date of this press release. Forward-looking statements are subject to risks, uncertainties and assumptions that could cause actual results to differ materially from those contemplated by the relevant statement. Such risks and uncertainties include a variety of factors, some of which are beyond Eros’ control, including but not limited to market conditions and economic conditions.
Information concerning these and other factors that could cause results to differ materially from those contained in the forward-looking statements is contained under the caption “Risk Factors” in our Annual Report on Amended Form 20-F for the fiscal year ended
Seasonality
The financial position and results of operations of Eros and its subsidiaries (together with Eros, the “Group”) for any period fluctuate due to film release schedules. Film Release schedules take account of holidays and festivals in
About Eros International Plc
ErosNow is the Company’s leading on-demand Bollywood entertainment network accessible anytime, anywhere, on nearly any Internet-connected screen. ErosNow offers its 37 million users the promise of endless entertainment hosting films, premium television shows, music videos and audio tracks, and original content. For further information please visit: www.erosnow.com
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